Lossless comparison
Given the enormous amount of lossless audio compressor choices available, it is a very difficult task to choose the one most suited for each person's needs.
Several people only take into consideration compression performance when choosing a codec. But as the following table and article shows, there are several other features worth taking into consideration when making that choice.
For example, users wanting good multiplatform compatibility and robustness (E.G, people sharing live recordings) would favour WavPack or FLAC. Another user, looking for the very highest compression available, would go with OptimFROG. Someone wanting portable support would use FLAC or ALAC, and so on.
En fin, this is not a matter worth getting too worked up about. If you later find out the codec you chose isn't the best for your needs, you can just transcompress to another format, without risk of losing quality.
Comparison Table
Features | Template:Turquoise ALAC | Template:Turquoise FLAC | Template:Turquoise Monkey's | Template:Turquoise OptimFROG | Template:Turquoise Real Lossless | Template:Turquoise Shorten |
Encoding speed | average | fast | fast | slow | average | very fast |
Decoding speed | very fast | very fast | fast | slow | fast | very fast |
Compression* | 58,50% | 58,70% | 55,50% | 54,70% | 63,50% | |
Flexibility** | bad | very good | very good | very good | bad | bad |
Error handling | yes | yes | yes | no | ||
Seeking | yes | yes | yes | yes | yes | yes |
Tagging | QT tags | FLAC tags | ID3/APE | ID3/APE | Proprietary | no |
Hardware support | yes | yes | no | no | no | no |
Software support | bad | very good | good | average | bad | very good |
Hybrid/lossy | no | no | no | yes | no | no |
ReplayGain | sort of | yes | no | no | no | no |
RIFF chunks | no | yes | yes | yes | ||
Streaming | yes | yes | yes | yes | no | |
Pipe support | no | yes | yes | yes | no | yes |
Open source | Yes (decoding) | yes | yes | no | no | yes |
Multichannel | yes | yes | no | no | no | no |
High resolution | yes | yes | yes | yes | no | no |
OS support | Win/Mac | All | All | Win/Linux | Win/Mac/Linux | All |
Features | Template:Turquoise WavPack | Template:Turquoise WMA | Template:Turquoise LA | Template:Turquoise TTA | Template:Turquoise LPAC | |
Encoding speed | very fast | average | slow | very fast | average | |
Decoding speed | very fast | average | slow | very fast | very fast | |
Compression* | 58% | 56,30% | 53,50% | 57,10% | 57,20% | |
Flexibility** | very good | bad | average | bad | bad | |
Error handling | yes | yes | no | no | ||
Seeking | yes | yes | yes | yes | slow | |
Tagging | ID3/APE | Proprietary | ID3v1 | ID3 | no | |
Hardware support | no | no | no | yes | no | |
Software support | good | good | bad | average | average | |
Hybrid/lossy | yes | no | no | no | no | |
ReplayGain | yes | no | no | yes | no | |
RIFF chunks | yes | no | yes | no | yes | |
Streaming | yes | yes | no | no | ||
Pipe support | yes | yes | yes | no | ||
Open source | yes | no | no | yes | no | |
Multichannel | yes | yes | no | yes | no | |
High resolution | yes | yes | no | yes | yes | |
OS support | All | Win/Mac | Win/Linux | All | Win/Linux/Sol |
* Encoding speed, Decoding speed and Compression ratio are based on each encoder's default settings.
** Flexibility refers to the amount of encoding choices offered to the users (Fast/low compression, Slow/high compression and everything inbetween)
These are the most popular lossless codecs, in alphabetical order:
==ALAC - Apple Lossless Audio Codec== http://www.apple.com/itunes/import.html
ALAC is a codec developed by Apple for usage in iPod and AirPort Express.
ALAC PROS
- Very fast decoding
- Open source (decoding only)
- Hardware support (iPod, AirPort Express)
- Streaming support
- Tagging support (QT tags)
- Excellent hardware-software-lossy format integration with iTunes/iPod.
- Supports multichannel audio and high resolutions
ALAC CONS
- Closed source (encoding)
- Few software support (iTunes)
- Compression efficiency not on par with other lossless codecs
- No hybrid/lossy mode
ALAC Other features
- Fits in the MP4 container
- Can be used with the AirPort Express gadget
==FLAC - Free Lossless Audio Codec== http://flac.sourceforge.net/
FLAC is a lossless codec developed by Josh Coalson. It's part of the Xiph multimedia portfolio, along with Ogg Vorbis and Theora.
FLAC PROS
- Open source
- Very fast decoding
- Hardware support (Karma, Phatbox, etc.)
- Very good software support
- Error robustness
- Streaming support
- Supports multichannel audio and high resolutions
- Tagging support (FLAC tags)
- Pipe support
- ReplayGain compatible
FLAC CONS
- Relatively slow encoding
- No hybrid/lossy mode
- Doesn't support RIFF chunks
FLAC Other features
- Supports embedded CUE sheets (with limitations)
- Includes MD5 hashes for quick integrity checking
- Fits the Ogg and Matroska containers
==LA - LosslessAudio== http://www.lossless-audio.com/
LA is a lossless codec developed by Michael Bevin.
LA PROS
LA CONS
- Closed source
- Very slow encoding and decoding
- Doesn't support multichannel audio and high resolutions
- No hardware support
- No hybrid/lossy mode
- Bad software support
- Doesn't support ReplayGain
It's important to mention that the LA foobar plugin is buggy and doesn't produce lossless streams!
==LPAC== http://www.nue.tu-berlin.de/wer/liebchen/lpac.html
Lossless Predictive Audio Coder (LPAC) is a lossless codec developed by Tilman Liebchen. Development of it has been halted in favour of development of MPEG4 ALS.
LPAC PROS
- Reasonable compression ratios
- High resolution audio support
- Supports RIFF chunks
LPAC CONS
- Closed source
- No error robustness
- Slow seeking
- No tagging
- No multichannel support
- No hybrid/lossy mode
- No hardware support
- Doesn't support ReplayGain
==Monkey's Audio== http://www.monkeysaudio.com/
Monkey's Audio is a very efficient lossless compressor developed my Matt Ashland.
APE PROS
- Open source
- High efficiency
- Good software support
- Error robustness
- Java version (multiplatform)
- Tagging support (ID3v1, APE tags)
- High resolution audio support
- Supports RIFF chunks (only in the GUI encoder)
- Pipe support (only in a special version)
APE CONS
- No multichannel support
- No hybrid/lossy mode
- No hardware support
- Doesn't support ReplayGain
APE Other features
- Supports embedded APL sheets (similar to CUE sheets)
==OptimFROG== http://losslessaudiocompression.com/
OptimFROG is a lossless format developed by Florin Ghido to become the champion in audio compression.
OFR PROS
- Very high compression
- Good software support
- Error robustness
- Streaming support
- Supports high resolutions
- Hybrid/lossy mode
- Tagging support (ID3, APE tags)
- Supports RIFF chunks
- ReplayGain compatible
OFR CONS
- Closed source
- No multichannel audio support
- No hardware support
- Quite slow decoding
OFR Other features
- Supports 32bit float streams
- Includes MD5 hashes for quick integrity checking
==RealAudio Lossless== http://www.realnetworks.com/products/codecs/realaudio.html
RealAudio lossless is the lossless codec developed by Real Networks for their multimedia portfolio
RAL PROS
- Very fast decoding
- Streaming support
RAL CONS
- Closed source
- No multichannel and high resolution audio support
- Little software support (Real Player)
- No hardware support
- Compression efficiency not on par with other lossless codecs
- No hybrid/lossy mode
- No pipe support
- Doesn't support ReplayGain
==Shorten== http://www.etree.org/shnutils/shorten/
Shorten is a very old and featureless lossless codec developed by Tony Robinson at SoftSound.
SHN PROS
- Open source
- Fast decoding
- Very good software support
- Supports RIFF chunks
- Pipe support
SHN CONS
- Quite inefficient
- No multichannel or high resolution audio support
- No hybrid/lossy mode
- No error robustness
- Not streamable
- No hardware support
- No native tagging
- Doesn't support ReplayGain
==True Audio (TTA)== http://tta.corecodec.org/
TTA is a new lossless codec developed by a team of russian programmers.
TTA PROS
- Open source
- Good efficiency
- Hardware support (obscure DVD player)
- Supports multichannel audio and high resolutions
- Tagging support (ID3v2)
- ReplayGain compatible
TTA CONS
- No streaming support
- No hybrid/lossy mode
- Doesn't support RIFF chunks
- No pipe support
TTA Other features
- Fits the Matroska container
==WavPack== http://www.wavpack.com/
WavPack is a fast and featureful lossless codec developed by David Bryant.
WV PROS
- Open source
- Very fast decoding
- Good efficiency
- Error robustness
- Streaming support
- Supports multichannel audio and high resolutions
- Hybrid/lossy mode
- Tagging support (ID3v1, APE tags)
- Supports RIFF chunks
- Ability to create self extracting files for Win32 platform
- Pipe support
- Good software support
- ReplayGain compatible
WV CONS
- No hardware support
WV Other features
- Supports 32bit float streams
- Supports embedded CUE sheets
- Includes MD5 hashes for quick integrity checking
- Can encode in both symmetrical and assymmetrical modes.
==Windows Media Audio Lossless== http://www.microsoft.com/windows/windowsmedia/9series/codecs/audio.aspx
WMA Lossless is the lossless codec developed by Microsoft to be featured in their Windows Media codec portfolio.
WMAL PROS
- Streaming support
- Very good software support
- Supports multichannel audio and high resolutions.
- Tagging support (proprietary)
- Pipe support
WMAL CONS
- Closed source
- No hybrid/lossy mode
- No hardware support (but it's likely to appear sooner or later)
- Doesn't support RIFF chunks
- Doesn't support ReplayGain
WMAL Other features
- Fits the ASF container
Oddball Formats
There are several old lossless formats that aren't being featured in the article above. Reasons are: lack of widespread support, lack of features, bad efficiency and, most importantly, it seems noone is really interested in them.
Most of those would have disappeared by now, but they are being preserved for posterity at rjamorim's ReallyRareWares
Advanced Digital Audio (ADA)
Bonk
Marian's a-Pac
AudioZip
Dakx WAV
LiteWave
Pegasus SPS
RKaudio
Split2000
Sonarc
VocPack
WavArc
WaveZip/MUSICompress
Links
Some links to lossless format compression comparisions:
- Hans Heijden's (used as reference to build the table)
- Speek's
- Guruboolez's - comparing only classical music.
- Go to the Hydrogenaudio thread to discuss this article.