Lossless comparison: Difference between revisions

From Hydrogenaudio Knowledgebase
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| style="background: #CCFFCC" | good           
| style="background: #CCFFCC" | good           
| style="background: #00FF00" | very good           
| style="background: #00FF00" | very good           
| style="background: #FF9900" | no             
| style="background: #FF9900" | limited
| style="background: #FF9900" | no             
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| style="background: #FF9900" | limited
| style="background: #FF9900" | limited

Revision as of 08:46, 21 November 2006

The lossless comparison page aims to gather information about lossless codecs available so users can make an informed decision as to what lossless codec to choose for their needs.

Introduction

Given the enormous amount of lossless audio compressor choices available, it is a very difficult task to choose the one most suited for each person's needs.

Several people only take into consideration compression performance when choosing a codec. But as the following table and article shows, there are several other features worth taking into consideration when making that choice.

For example, users wanting good multiplatform compatibility and robustness (E.G, people sharing live recordings) would favour WavPack or FLAC. Another user, looking for the very highest compression available, would go with OptimFROG. Someone wanting portable support would use FLAC or ALAC, and so on.

En fin, this is not a matter worth getting too worked up about. If you later find out the codec you chose isn't the best for your needs, you can just transcompress to another format, without risk of losing quality.

Note: for latest comparison of lossless compression, scroll down to the Links section of this page.


Comparison Table

Features WavPack ALAC FLAC Monkey's OptimFROG Shorten
Encoding speed very fast average fast fast slow very fast
Decoding speed very fast fast very fast average average very fast
Compression* 58.0% 58.50% 58.70% 55.50% 54.70% 63.50%
Flexibility** very good bad very good very good very good bad
 
Error handling yes   yes no yes no
Seeking yes yes yes yes yes yes
Tagging ID3/APE QT tags FLAC tags ID3/APE ID3/APE no
Hardware support limited good very good limited no limited
Software support good bad very good good average very good
Hybrid/lossy yes no no no yes no
ReplayGain yes sort of yes no yes no
RIFF chunks yes   no yes yes yes
Streaming yes yes yes no yes no
Pipe support yes no yes yes yes yes
Open source yes Yes (decoding) yes yes no yes
Multichannel yes yes yes no no no
High resolution yes yes yes yes yes no
OS support All Win/Mac All All Win/Mac/Linux All

(table continued below)

Features WMA LA TTA LPAC MPEG4 ALS Real Lossless
Encoding speed average slow very fast average average slow
Decoding speed average slow fast fast fast fast
Compression* 56.30% 53.50% 57.10% 57.20% 57.10% 57.0%
Flexibility** bad average bad bad very good bad
 
Error handling yes no yes no yes  
Seeking yes yes yes slow yes yes
Tagging Proprietary ID3v1 ID3 no no Proprietary
Hardware support limited no limited no no no
Software support good bad average average bad bad
Hybrid/lossy no no no no no no
ReplayGain no no yes no no no
RIFF chunks no yes no yes    
Streaming yes   no no yes yes
Pipe support yes yes no     no
Open source no no yes no yes no
Multichannel yes no yes no yes no
High resolution yes no yes yes yes no
OS support Win/Mac Win/Linux All Win/Linux/Sol All Win/Mac/Linux

* The Compression ratio is calculated with the division of compressed size by uncompressed size * 100. So, lower is better.

Encoding speed, Decoding speed and Compression ratio are based on each encoder's default settings.

** Flexibility refers to the amount of encoding choices offered to the users (Fast/low compression, Slow/high compression and everything inbetween)


These are the most popular lossless codecs, in alphabetical order:

==ALAC - Apple Lossless Audio Codec== http://www.apple.com/itunes/import.html

ALAC is a codec developed by Apple for usage in iPod and AirPort Express.


ALAC PROS

ALAC CONS

  • Closed source (encoding)
  • Limited software support
  • Compression efficiency not on par with other lossless codecs
  • No hybrid/lossy mode

ALAC Other features

  • Fits in the MP4 container
  • Can be used with the AirPort Express gadget


==FLAC - Free Lossless Audio Codec== http://flac.sourceforge.net/

FLAC is a lossless codec developed by Josh Coalson. It's part of the Xiph multimedia portfolio, along with Ogg, Vorbis, Speex and Theora.


FLAC PROS

FLAC CONS

  • No hybrid/lossy mode
  • Doesn't support RIFF chunks

FLAC Other features

  • Supports embedded CUE sheets (with limitations)
  • Includes MD5 hashes for quick integrity checking
  • Fits the Ogg and Matroska containers


==LA - LosslessAudio== http://www.lossless-audio.com/

LA is a lossless codec developed by Michael Bevin.


LA PROS

  • Very high compression
  • Tagging support (ID3v1)
  • Supports RIFF chunks
  • Pipe support

LA CONS

  • Closed source
  • Very slow encoding and decoding
  • Doesn't support multichannel audio and high resolutions
  • No hardware support
  • No hybrid/lossy mode
  • Bad software support
  • Doesn't support ReplayGain

It's important to mention that the LA foobar plugin is buggy and doesn't produce lossless streams!


==LPAC== http://www.nue.tu-berlin.de/wer/liebchen/lpac.html

Lossless Predictive Audio Coder (LPAC) is a lossless codec developed by Tilman Liebchen. Development of it has been halted in favour of development of MPEG-4 ALS.


LPAC PROS

LPAC CONS

  • Closed source
  • No error robustness
  • Slow seeking
  • No tagging
  • No multichannel support
  • No hybrid/lossy mode
  • No hardware support
  • Doesn't support ReplayGain


==Monkey's Audio== http://www.monkeysaudio.com/

Monkey's Audio is a very efficient lossless compressor developed by Matt Ashland.


APE PROS

  • Open source
  • High efficiency
  • Good software support
  • Simple and user friendly. Official GUI provided.
  • Java version (multiplatform)
  • Tagging support (ID3v1, APE tags)
  • High resolution audio support
  • Supports RIFF chunks (only in the GUI encoder)
  • Pipe support (only in a special version)

APE CONS

APE Other features

  • Includes MD5 hashes for quick integrity checking
  • Supports APL image link files (similar to CUE sheets)


==OptimFROG== http://losslessaudiocompression.com/

OptimFROG is a lossless format developed by Florin Ghido to become the champion in audio compression.


OFR PROS

OFR CONS

  • Closed source
  • No multichannel audio support
  • No hardware support
  • Quite slow decoding

OFR Other features

  • Supports 32bit float streams
  • Includes MD5 hashes for quick integrity checking


==RealAudio Lossless== http://www.realnetworks.com/products/codecs/realaudio.html

RealAudio lossless is the lossless codec developed by Real Networks for their multimedia portfolio


RAL PROS

  • Very fast decoding
  • Streaming support
  • Tagging support (proprietary)

RAL CONS

  • Closed source
  • No multichannel and high resolution audio support
  • Little software support (Real Player)
  • No hardware support
  • Compression efficiency not on par with other lossless codecs
  • No hybrid/lossy mode
  • No pipe support
  • Doesn't support ReplayGain


==Shorten== http://www.etree.org/shnutils/shorten/

Shorten is a very old and featureless lossless codec developed by Tony Robinson at SoftSound.


SHN PROS

  • Open source
  • Fast decoding
  • Very good software support
  • Supports RIFF chunks
  • Pipe support

SHN CONS

  • Quite inefficient
  • No multichannel or high resolution audio support
  • No hybrid/lossy mode
  • No error robustness
  • Not streamable
  • No hardware support
  • No native tagging
  • Doesn't support ReplayGain


==True Audio (TTA)== http://www.true-audio.com/

TTA is a new lossless codec developed by a team of russian programmers.


TTA PROS

TTA CONS

  • No streaming support
  • No hybrid/lossy mode
  • Doesn't support RIFF chunks
  • No pipe support

TTA Other features


==WavPack== http://www.wavpack.com/

WavPack is a fast and featureful lossless codec developed by David Bryant.


WV PROS

  • Open source
  • Very fast decoding
  • Very fast encoding
  • Good efficiency
  • Error robustness
  • Streaming support
  • Hardware support (RockBox)
  • Supports multichannel audio and high resolutions
  • Hybrid/lossy mode
  • Tagging support (ID3v1, APE tags)
  • Supports RIFF chunks
  • Ability to create self extracting files for Win32 platform
  • Pipe support
  • Good software support
  • ReplayGain compatible

WV CONS

  • Limited hardware player support

WV Other features

  • Supports 32bit float streams
  • Supports embedded CUE sheets
  • Includes MD5 hashes for quick integrity checking
  • Can encode in both symmetrical and assymmetrical modes.
  • Fits the Matroska container


==Windows Media Audio Lossless== http://www.microsoft.com/windows/windowsmedia/9series/codecs/audio.aspx

WMA Lossless is the lossless codec developed by Microsoft to be featured in their Windows Media codec portfolio.


WMAL PROS

WMAL CONS

  • Closed source
  • No hybrid/lossy mode
  • Limited hardware support (Gigabeat V line from Toshiba)
  • Doesn't support RIFF chunks
  • Doesn't support ReplayGain

WMAL Other features

  • Fits the ASF container


Oddball Formats

There are several old lossless formats that aren't being featured in the article above. Reasons are: lack of widespread support, lack of features, bad efficiency and, most importantly, it seems noone is really interested in them.

Most of those would have disappeared by now, but they are being preserved for posterity at rjamorim's ReallyRareWares


Advanced Digital Audio (ADA)

Bonk

Marian's a-Pac

AudioZip

Dakx WAV

Entis Lab MIO

LiteWave

Pegasus SPS

RKaudio

Split2000

Sonarc

VocPack

WavArc

WaveZip/MUSICompress


See also


External links

Other lossless compressions comparisons

Sorted based on last update date.

More on lossless compressions

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