Difference between revisions of "Harmonics"

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Harmonics are vibrations at frequencies that are multiples of the fundamental. They are characterized as even-order and odd-order harmonics. For instance, the "second-order harmonic" is the fundamental [[frequency]] multiplied by two, and is an even-order harmonic. Each even-order harmonic is one octave or x octaves higher than the fundamental; they are therefore musically equivalent to the fundamental frequency. Odd-order harmonics create a series of notes that are musically related to the fundamental [[frequency]]—unparallel but resonant with the fundamental, they inform musical scales and give rise to chords. Non-integer harmonics are also called "overtones" or "partials". Overtones and partials give rise to the timbre ''(tone quality)'' of a particular instrument. ''Bells'' are a common example of instruments with clearly perceptible harmonic overtones.  
 
Harmonics are vibrations at frequencies that are multiples of the fundamental. They are characterized as even-order and odd-order harmonics. For instance, the "second-order harmonic" is the fundamental [[frequency]] multiplied by two, and is an even-order harmonic. Each even-order harmonic is one octave or x octaves higher than the fundamental; they are therefore musically equivalent to the fundamental frequency. Odd-order harmonics create a series of notes that are musically related to the fundamental [[frequency]]—unparallel but resonant with the fundamental, they inform musical scales and give rise to chords. Non-integer harmonics are also called "overtones" or "partials". Overtones and partials give rise to the timbre ''(tone quality)'' of a particular instrument. ''Bells'' are a common example of instruments with clearly perceptible harmonic overtones.  
  
'''Example: wavelengths of vibrating strings or overtones are proportional to 1, 1/2, 1/3, 1/4, etc in a common Harmonic Series. ''' <br>
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''Example: wavelengths of vibrating strings or overtones are proportional to 1, 1/2, 1/3, 1/4, etc represented mathmatically as a common Harmonic Series. ''  
 
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<br><br>
 
<math>\sum_{h=1}^\inf \frac{1}{h} =  
 
<math>\sum_{h=1}^\inf \frac{1}{h} =  
 
1 + \frac{1}{2} + \frac{1}{3} + \frac{1}{4} + \frac{1}{5}
 
1 + \frac{1}{2} + \frac{1}{3} + \frac{1}{4} + \frac{1}{5}
 
\cdots + \frac{1}{h} </math>
 
\cdots + \frac{1}{h} </math>

Revision as of 17:57, 18 January 2006

Harmonics are vibrations at frequencies that are multiples of the fundamental. They are characterized as even-order and odd-order harmonics. For instance, the "second-order harmonic" is the fundamental frequency multiplied by two, and is an even-order harmonic. Each even-order harmonic is one octave or x octaves higher than the fundamental; they are therefore musically equivalent to the fundamental frequency. Odd-order harmonics create a series of notes that are musically related to the fundamental frequency—unparallel but resonant with the fundamental, they inform musical scales and give rise to chords. Non-integer harmonics are also called "overtones" or "partials". Overtones and partials give rise to the timbre (tone quality) of a particular instrument. Bells are a common example of instruments with clearly perceptible harmonic overtones.

Example: wavelengths of vibrating strings or overtones are proportional to 1, 1/2, 1/3, 1/4, etc represented mathmatically as a common Harmonic Series.

\sum_{h=1}^\inf \frac{1}{h} = 
1 + \frac{1}{2} + \frac{1}{3} + \frac{1}{4} + \frac{1}{5}
\cdots + \frac{1}{h}