AAC encoders: Difference between revisions

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==iTunes AAC==
==iTunes AAC==


Another commercial AAC implementation, [[iTunes]] AAC is known to be one of the highest quality medium-bitrate [[CBR]] LC AAC encoders.
Another proprietaryl AAC implementation, [[iTunes]] AAC is known to be one of the highest quality medium-bitrate [[CBR]] LC AAC encoders.


The codec is available for free through the [[iTunes]] Digital Jukebox.
The codec is available for free through the [[iTunes]] Digital Jukebox.

Revision as of 02:05, 18 June 2005

These are some known AAC encoder implementations.

Nero AAC

A commercial implementation of both LC AAC and HE AAC, Nero AAC is distributed with Nero 6 which incorporates Nero Digital. Generally accepted to have the highest quality VBR LC AAC implementation (although iTunes CBR beats Nero's VBR at 128kbps). The codec also features the HE AAC standard for extremely low bitrates. The codec also allows for multi-channel surround sound encoding. Unfortunately, unlike iTunes, it's not freeware, and requires the acquisition of the entire Nero 6 suite for usage of the AAC encoder alone.

Recomended Nero AAC Presets

NOTE: Once a preset has been selected, the "Encoding Quality" option should be changed to the "Fast" mode. Despite the name implying worse quality then high, a test undertaken by guruboolez shows that the "Fast" mode offers significant quality advantages over the "High" (see the test here). In the forthcoming release of Nero AAC 3.0 (or a release soon afterwards), the "Fast" mode will become the default and the high quality mode will be removed.

High Quality

- VBR/Stereo - Streaming, 100-120 Kb/s (LC AAC) / Actual bitrate ~150kbps

Portable

- VBR/Stereo - Internet, 90-100 Kb/s (LC AAC) / Actual bitrate ~128kbps

Small Filesize

- VBR/Stereo - Portable, 50-70 Kb/s (HE AAC) / Actual bitrate ~90kbps


The High Quality preset is for the archival of music, while the Small Filesize preset is for internet/streaming purposes.

More information can be found in the Nero Digital PDF and on the Nero Digital Website.


iTunes AAC

Another proprietaryl AAC implementation, iTunes AAC is known to be one of the highest quality medium-bitrate CBR LC AAC encoders.

The codec is available for free through the iTunes Digital Jukebox.

More information can be found at the Apple Website

The recommended high quality encoding setting is 160kbps, or 128kbps for portable use.


FAAC

FAAC is a free and open-source LC AAC encoder. Its quality has improved drastically over the last few months and is now a viable alternative to the commercial encoders (although, at least at 128kbps, not as good as the free iTunes encoder).

More information can be found at AudioCoding


HHI/zPlane (Compaact!)

Compaact is one of the newest AAC encoders. Like Nero AAC, compaact is not free, however it does offer an impressive feature set. Roberto Amorim's last AAC test showed that at 128kbps, Compaact! is tied with both the FAAC and Coding Technologies (Real) encoders. Compaact! features both the LC and Main Object Types, CBR, VBR, Multichannel high resolution (24bit/96kHz) encoding, and command line support.

For portable encoding, try -q5 to -q6. For music archive purposes, try -q7 to -q8.

More information can be found at the Compaact website.


PsyTEL

The creation of Ivan Dimkovic (who now works on Nero AAC), PsyTEL AAC was one of the first AAC encoders. Its multi-channel support has bugs that make it unusable, but its 2 channel had the best quality available in its day. Since the implementation of Nero AAC, this codec has become obselete. It's is now outclassed by both Nero AAC and iTunes.

The PsyTEL encoder can be found in the AAC section of ReallyRareWares

Usability (Psytel aacenc/fastenc)

-tape
-radio
-internet
-streaming
-normal
-extreme
-archive
-ultra

For music encoding. The quality ranges from -tape (lowest VBR quality) to -ultra (highest VBR quality). Ultra is considered overkill for most audio tracks, i.e: shouldn't be used except for extremely difficult music signals. Example: aacenc -extreme -if "audio file.wav"

Encoder switches (Psytel aacenc/fastenc)

-if
Input filename. The name of the track to be encoded (must be a .wav file)
-of
Output filename. May be omitted, because encoder will automatically set best output file name.
-br
BitRate switch. Sets the number of bits utilized per second for the encoding process. Example: aacenc -br 192 -if "audio file.wav"
-vbrhi
High quality [VBR] mode. Can be used with -br switch to select base BitRate. If -br is not specified, it takes as default 64kbps/channel. Example: aacenc -br 192 -vbrhi -if "audio file.wav"
-vr
Lower quality [VBR] mode. Recommended for internet streaming. Example: aacenc -vr -if "audio file.wav"
-c
LowPassFilter cut-off (in hertz). Not recommended. Example: aacenc -br 128 -c 15995 -if "audio file.wav"
-qual
Encoder quality level (1 to 9). 9 is usually taken as default, but you can use smaller numbers if you need high speed and high quality isn't essential. Example: aacenc -br 192 -qual 9 -if "audio file.wav"
-adif
Use adif instead of adts (default) header. For compatibility with some decoder software and hardware players. Example: aacenc -br 192 -adif -if "audio file.wav"
-nh
No headers (raw iso aac stream). For decoder compatibility, and can improve. Example: aacenc -br 192 -nh -if "audio file.wav"
-profile "x"
Choose iso aac encoding profile:
0 - low complexity (default, recommended)
1 - main (not recommended, buggy)
2 - main ltp (mpeg-4 only)
Only lc profile is playable on hardware players so far. Example: aacenc -br 192 -profile 2 -if "audio file.wav"
-ihsc
Improved human speech coding. Best for human voice encoding. Not recommended for low Bitrates or [CBR] coding. Example: aacenc -vbrhi -br 192 -ihsc -if "audio file.wav"
-low_ath
Tells encoder to use highest sensitivity threshold of audibility. Not recommended on Bitrates lower than 192kbps. Example: aacenc -br 192 -low_ath -if "audio file.wav"
-pns
(perceptual noise substitution) - Improves the quality at very low Bitrates. Should be used only at 64kbps or less. Example: aacenc -br 56 -pns -if "audio file.wav"


Imagine

Imagine Technology provides an MPEG-4 LC AAC plugin for Adobe Audition. This plugin provides file input and output for the MPEG-4 audio specification, defined in ISO/IEC 14496-3. More info can be found at the imagine website.


Coding Technologies

RealNetworks has incorporated Coding Technologies/FhG's MPEG-4 AAC / aacPlus™ technology and software within RealNetworks’ software products. As a result, in the newest version of RealProducer 10, AAC has replaced ATRAC3 as the high bitrate audio codec, and that software can encode AAC files wrapped in the MP4 container. In addition, the Producer SDK on Windows also includes HE-AAC encoding. More info can be found at RealNetworks' press release, as well as Coding Technologies' aacPlus page.


FhG

Audio & Multimedia MPEG-2 AAC


Emuzed

Emuzed develops and sells various products and technologies for the PC multimedia and embedded multimedia markets. They have ported and optimized codecs for MPEG-4 ASP and AAC LC for a chip vendor preparing to offer bundled multimedia hardware and software. More info can be found at their encoders & decoders page.


NEC

NEC Corporation has developed an LC AAC decoding algorithm for mobile devices. They have also developed a codec named MPEG-4 AAC Ext.1, which they claim decreases bitrate while maintaining the same audio quality. The new MPEG-4 AAC Ext.1 coding technology also supports high compatibility with current MPEG-4 AAC. For more information, see NEC's press release.


Panasonic

Panasonic has developed an HE AAC codec together with NEC and Coding Technologies as described in this MPEG Industry Forum paper.


Real/Helix Producer

Real/Helix Producer: http://helixcommunity.org